As the plague decimates medieval Europe, rumours circulate of a village immune from the plague. There is talk of a necromancer who leads the village and is able to raise the dead. A fearsome knight joined by a cohort of soldiers and a young monk are charged by the church to investigate. Their journey is filled with danger, but it's upon entering the village that their true horror begins.

A fresh and distinctive take on Charles Dickens’ semi-autobiographical masterpiece, The Personal History of David Copperfield, set in the 1840s, chronicles the life of its iconic title character as he navigates a chaotic world to find his elusive place within it. From his unhappy childhood to the discovery of his gift as a storyteller and writer, David’s journey is by turns hilarious and tragic, but always full of life, colour and humanity.

Delving into a century of genre films that by turns utilized, caricatured, exploited, sidelined, and finally embraced them, this is the untold history of black Americans in Hollywood through their connection to the horror genre.

Life for a shy young Indian student slowly falls to pieces during a family road trip.

Young and lively artist lives at the monastery while restoring the interiors and pays attention to the very old monk who is going to pass away soon.

A response to Yoko Ono's Film Script No. 4 “ASK THE AUDIENCE TO STARE AT THE SCREEN UNTIL IT BECOMES BLACK.” I decided to assemble material shot in Cambodia in 2013 during the Cambodia King-Father Norodom Sihanouk’s funeral- a week long period of national mourning in which millions of Cambodians swarmed to Phnom Penh to grieve for the loss of their beloved leader. The profoundly overwhelming nature of this mass grieving seemed to resonate with the notion of an audience literally collectively willing an image out of existence. I chose to read the action of the screen turning black as being due to the audiences collective will rather than something imposed on an audience by the filmmaker/artist.

The Spirit Moves: A History of Black Social Dance on Film, 1900–1986 is a documentary film by Mura Dehn chronicling the evolution of African-American social dance throughout most of the 20th century. In its original form it consists of nearly six hours of rare archival footage shot over the course of thirty years. Since 1987 this complete version has only been available for viewing at a select few institutions (the Library for the Performing Arts at Lincoln Center in New York City and the Smithsonian). In 2008 the first three parts of Dehn's work, totaling two hours, were remastered and released on DVD by Dancetime Publications.

Journey through the history of black representation on television, showcasing how black artists and creators both shaped and revolutionized the medium while confronting the systemic challenges that have often undermined their contributions.

Journey through the history of black representation on television, showcasing how black artists and creators both shaped and revolutionized the medium while confronting the systemic challenges that have often undermined their contributions.

After the tragic death of their French drug dealer, two friends must figure out how to get rid of the body with help from their quirky "movie crazed" acquaintance.